Grilles 50 51 52 53 54 55

Peter Scott ’50

Peter Scott ’51

Peter Scott ’52

Peter Scott ’53

Peter Scott ’54

Peter Scott ’55

“These took about 7 months to complete. Below is the creative process …”

Parametric Design with Mixed Media on Canvas using PLA and Acrylics

Brainstorm and Gather Ideas:
I start by thinking about what inspires me. This could be anything from a vintage car I saw at a swap meet to a feeling or emotion I want to convey. I collect images, sketches, and references to help solidify my concept.

Sketch and Experiment:
Once I have a general idea, I start sketching out thumbnails on whatever paper I have handy. This is a time for experimentation and exploration, and I don’t worry about making perfect drawings.

Digital Modeling:
Using Shapr 3D or Fusion 360, I create a 3D model of my design. This is where I can really bring my vision to life and experiment with different shapes, proportions, and details. It’s often an iterative process, so I’m prepared to make changes and refine my design as I go. What makes this process unusual is that I’m using parametric modelling to draw rather than mesh modelling or sculpting. It’s a challenge doing it this way especially when you want a more organic feel and look.

3D Printing:
Once I’m happy with my 3D model, I print the PLA components. I intentionally leave gaps between the parts to create a more interesting and dynamic composition.

Post-Processing:
After printing, I sand, shape, and apply modeling paste to the PLA parts to achieve the desired finish. This step is crucial for giving the pieces a smooth, finished look.

Painting and Assembly:
I paint the PLA parts individually before assembling them onto the canvas. I also prepare the canvas by priming it with gesso and applying a base coat of paint. Once the canvas is ready, I carefully mount the PLA parts and add any additional details using modeling paste or paint.

Final Touches:
The final step is to apply layers of acrylic paint to the canvas and PLA components to create depth, shadows, highlights, and other effects. I sign the painting, then add a final coat of varnish to help protect the colors and give them a little depth. I then photograph the piece for record, online promotion, and sales.

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